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This video is part of the exhibition Cascarones de Candela / Candela's Shells
Hotel Casino de la Selva / Salón Mambo
Félix Candela, Juan Antonio Tonda
Cuernavaca, Morelos, 1960 (demolidos / demolished)
Foto / Photo: Enrique Ruiz Castillo Ucelay
Maquetas estereolitográficas / Stereolitographic Models: FA-UNAM
Modelo virtual / Virtual Model: FA-UNAM
Cascarones de Candela / Candela's Shells
Curador: Dr. Juan Ignacio del Cueto Ruiz-Funes
Facultad de Arquitectura, UNAM
Coordinación General: Eric Valdez Olmedo / Moisés Escárcega Olivares
Producción virtual: Moisés Alonso Escárcega Olivares (Coordinador), Eduardo Alarcón Azuela, Gonzalo Álvarez Tostado Pérez Casas
PAPIIT IN405608 “Arquitectura y exilio: Félix Candela en México y Latinoamérica”
ANIMACIONES Y MODELOS VIRTUALES: Facultad de Arquitectura, UNAM Proyecto IXTLI IX400410 / DGAPA, UNAM
PROYECTO PAPIIT IN403915 “Cascarones de concreto armado en México y el mundo”
Las animaciones de estos videos se realizaron en la Facultad de Arquitectura, todos los Derechos están reservados.
Computer animations made at UNAM School of Architecture, All rights reserved.
You can buy the exhibition catalogue at FA-UNAM / Compra el catálogo en: http://arquitectura.unam.mx/publicaciones.html
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Surja Das Presenting You_____
YO YO HONEY SINGH MEGA MASHUP | 6am x Bonita x Caliente x Blue Eyes x Brown Rang x @VisualsDjSurja
Mashup by- @lofigeneration1192
Visual by- @VisualsDjSurja
Tags Ignore:
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Track Used.......
1. 6am
2. Brown Rang
3. Jaat Mehkma
4. Blue Eyes
5. Rounds & Rings
6. Bonita
7. Caliante
& More
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All Rights to Music Label Co. & No Copyright infringement intended.
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Uploaded for promotional and preview purposes only
If any artist or label has copyright issues with my videos, please send an e-mail and I will remove it immediately!
DISCLAIMER: This Following Audio/Video is Strictly meant for Promotional Purpose. We Do not Wish to make any Commercial Use of this & Intended to Showcase the Creativity Of the Artist Involved.
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Manufacturer: Dover
Type: Traction
Date of recording: December 19th, 2024
Photographer: Jonathan Chua
Recording equipment: Canon PowerShot A2500