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These guitars are for sale at http://www.gregsguitars.de (please check: if it is still available you can see the guitar advertised with more photos, price and infos. In case the guitar has been sold, you do not find the item anymore on the website.) Recording equipment: - Clean amp sound: Fender Vibroverb amp (original 1963), plus additional: - TC "Ditto" Looper - Overdrive pedal: Okko Diablo "Gregor Hilden Signature Model" (available in my webshop) - Delay pedal: Vahlbruch "Spacetime" Delay (available in my webshop) other pedals: - TC Polytune Tuner -TC Ditto Looper - AKG D 320 B mic into a Behringer Xendix 1002 FX mixing desk ( Reverb No. 7 from the Behringer). I'm recording direct to the camera (Sony HDV 1080i or Zoom 200m sometimes). The live mix video/audio is ready on the camera card then and will be uploaded to You Tube. I'm using - Dunlop Delrin 2.0 Picks German Site: Informationen zu den Gitarren, FAQs, Fotos, Preisangaben etc. gibt es auf meiner Homepage: http://www.gregsguitars.de Okko- und Vahlbruch Pedale, Chickenpicks-Plektren sind auch bei mir im Angebot und ständig auf Lager. English Site: For FAQs and more detailed information on the instruments presented here / close-up fotos, pricings etc, please go to my http://www.gregsguitars.de/en/ Okko Diablo Overdrive / Vahlbruch Spacetime Delay Pedal You are welcome to ask any questions about the items for sale on my sales page, I will try to answer as soon as I can. Please understand that I can not take the time anymore to answer questions like "Do you think Mexican Fenders are better than Korean Epiphones" or "What's your favourite stompbox under $ 100?" and other general gear-questions. I understand that the casual and informal way of internet communication is inviting to ask anything you ever wanted to know about guitars. However, I get about 150 emails a day (!) just like these, it would take many hours each day just to respond to all these general questions. That is simply impossible to do. However, questions related to items on my inventory I'll try to answer quickly Allgemeine Fragen zu Gitarren und Amps: Inzwischen habe ich über 10000 Gitarrenvideos erstellt, und die Leute denken natürlich nicht ganz zu Unrecht: "Der kann mir sicher ein paar gute Tipps geben", oder immer beliebter: Fragen beantworten, zu einer Gitarre, die gerade günstig bei Ebay ersteigert wurde und etwas merkwürdig aussieht... Das Problem ist allerdings, dass ich inzwischen jeden Tag an die 150 derartige Mails mit allgemeinen Fragen aus der ganzen Welt bekomme... ("welche Epiphone kannst Du empfehlen..., "...was ist der Unterschied zwischen einer Custom-Shop-Les-Paul und einer normalen...", "..welche Strat-Pickups soll ich in meine Road-Worn einbauen", "..was ist der Unterschied zwischen einer Vintage-Fender/Gibson und einer Reissue ..". Ich habe eine ganze Zeit jeden Tag solche Mails beantwortet - und im Einzelfall wäre dies auch kein Problem. Aber, sorry, in diesem Umfang geht das leider nicht mehr! Nehmt es also bitte nicht persönlich wenn ich solche allgemeinen Fragen deshalb grundsätzlich nicht beantworten kann! vieles steht bereits in den "FAQ" Seiten Spezielle Fragen zum Equipment in meinem Shop beantworte ich natürlich weiterhin gerne. Bei umfassenden Fragen/Beratungen gerne auch telefonisch. Und ich bekomme so auch einen viel besseren Eindruck über die Wünsche und Vorstellungen des Kunden weil man direkt auch gezielt nachfragen-, Empfehlungen geben kann etc. . Am WE oder abends anrufen ist auch kein Problem - nur in der Mittagszeit von 12:00 bis 14:30 bin in nicht erreichbar!

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*This cover was already partially recorded, I just needed to add a few finishing touches. However, I didn’t want to miss sharing it on Paul McCartney’s birthday. I hope you enjoy it nonetheless, and happy birthday to Sir Paul McCartney! Here, There and Everywhere was recorded in three sessions in June 14, 16, and 17, 1966 at Abbey Road Studios, and is part of the iconic Revolver album, released on August 5, 1966. Primarily written by Paul McCartney (credited to Lennon/McCartney), this gentle romantic ballad was composed by the poolside at John Lennon’s house in Weybridge in early June 1966. Its main inspiration came from God Only Knows by The Beach Boys. McCartney has repeatedly expressed his admiration for the song, even saying he wished he had written it himself. Here, There and Everywhere can be seen as a response to, or an attempt to match, the emotional and harmonic sophistication of Brian Wilson’s work. - PAUL'S RHYTHM - The song starts with the chords G – Bm – Bb – Am7 – D7, but McCartney plays them using his thumb, not a pick or other finger. You can clearly hear the sweeping motion of his thumb across the strings, which gives the intro a softer and more intimate feel. This technique adds to the song’s warm and delicate sound. This song uses a very simple but beautiful arpeggio. Even though McCartney had played arpeggios before ,like in Yesterday, this was the first time he played one on an electric guitar, using his Epiphone Casino ES-230TD with the middle pickup. The arpeggio pattern is easy but sounds elegant: two bass notes and a small strum. It starts with the main note of the chord, then plays either the fifth or the third, and finally a light strum starting from the second string up. This gives the song its soft and dreamy sound. Even though it sounds like he’s playing the arpeggio the whole time, McCartney changes it slightly in important parts. For example, right before each “I Want Her Everywhere” (0:54) (1:29),he does a full strum of the chord to make those parts stand out more and feel stronger. - JOHN AND GEORGE'S LEAD GUITARS - There is some confusion in this part of the arrangement, as it is not certain whether John and George were playing their Stratocasters at the same time and then doing an overdub, or if it was a 12-string guitar recorded twice to achieve that doubled sound. It is generally believed to be the Stratocasters, not only because of the sound quality but also due to a specific detail: at the beginning of this section, the guitars play the open G string before starting the chromatic figure (1:02) (1:37). If it were a 12-string guitar, that note would probably be heard with octaves, as is usually the case with that type of instrument. However, in the recording, it is clearly heard that there are no octaves, which supports the idea that it was played with 6-string guitars. For this cover, I chose to use both the Sonic Blue and Lennon’s mysterious black Stratocaster, since this is the only Stratocaster seen in photos from the album sessions. However, this is just an assumption, and I cannot confirm it for sure:) Recommended videos: - SONIC BLUE AND JOHN'S BLACK STRAT VIDEO - https://www.youtube.com/watch?v=yr1feVUEJlo - Michael Sokil's Cover - https://www.youtube.com/watch?v=AlzhGRsBctM&t=7s - Sam Popkin's Cover - https://www.youtube.com/watch?v=QrgkKXBTM38 - Dom Rossi's Cover - https://youtu.be/wDyABY4SY7M?si=Kakh3tKpoNhqB7NO FOLLOW ME: - YT SPANISH CHANNEL: @juodetEspañol - Instagram @_juodet - TIKTOK @_juodet (TheJuoDet) INSTRUMENTS USED: GUITARS - 2013 Epiphone Casino VS - 2008 Fender Stratocaster MIM Black (Painted Like Sonic Blue and Modified With Deluxe Drive Pickups) - 2008 Squier Stratocaster Affinity (With Headstock Painted) BASS - 2017 Rickenbacker 4003s Fireglo