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🌟 If you want to see my videos early, bonus content, and 3D models of sites that I visit on my trips, please support me on Patreon!
➡️ https://www.patreon.com/jefftjohnson
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Do NOT attempt to enter slot canyons without the knowledge and skills necessary to be successful. Make sure to check weather and flash flood warnings for that area, but also for up canyon. Just because it's sunny where you are, it may be raining somewhere else. Flash floods are deadly. So are slot canyons.
I hope you enjoyed this adventure! It means so much to me that you spent the time watching it. If you enjoyed this, please consider subscribing. I strive to bring relatively unknown, odd, unique, and special places to you each week from the American Southwest!
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👍How to be a respectful visitor to these places👍
Native American groups still live in this area and beyond today. These places are still special and hold significance.
1️⃣Don't climb on walls or structures. Don't lean on or climb over them. Many places don't even need to be visited up close. View these places from a distance or with binoculars.
2️⃣Do not touch the rock art. Don't touch or create new rock art to preserve ancient stories.
3️⃣ Leave All Artifacts. Leave artifacts and structures undisturbed to maintain their historical significance. It is illegal and wrong to take artifacts. If you want something to take home, support local tribes by buying their handicrafts and jewelry.
4️⃣ Manage Waste Responsibly. Use waste bags; don't leave human or pet waste behind. Don't 'go' near cultural sites.
5️⃣ Camp With Care. Don't camp near historical sites. No fires near these areas, and ensure all waste is packed out. Don't make fires in caves or alcoves. Camp in designated spots only. When you leave, make sure to make the site cleaner and better than when you found it. Pick up extra trash you may see.
6️⃣ Control Your Pets. Don't let pets roam freely near archaeological areas to prevent destruction. Pets are not allowed in or near sites.
7️⃣ Preserve Fragile Areas. Don't disturb fossils and please protect delicate soil and plant life.
8️⃣ Follow Rules. Don't engage in illegal actions such as building cairns, or using climbing gear to access archaeological sites.
9️⃣ Obey Drone Rules and Laws. Numerous locations in the American Southwest and beyond, such as the Navajo Reservation, Wilderness Study Areas, and various restricted spaces, enforce strict drone usage prohibitions. It is crucial to not only honor the legacy of the people who once inhabited these areas but also show respect for the present-day residents and adhere to their local laws, customs and regulations.
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NOTE: I don't claim that I am the first person to "discover" these places. I just find things on Google Earth and want to go see what they are!
I do not claim to be an expert on anthropology, geology, or archaeology. I say that my channel is about "amateur archaeology". I don't have a degree or formal training in archaeology. I am just a hiker who loves to explore and see new things especially the ancient history in the American Southwest. This is what my channel is about. I hope you stick around and explore with me!
I do not give out locations to the places in my videos. I take seriously the responsibility to protect and respect these ancient places. If you do find/visit one of these locations, please visit respectfully. I try my best to hide noticeable landmarks, mountains, and canyons in my videos.
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Thanks @wmvansise8797 and Eric Mason for lending me this Fender Rosewood Telecaster! It's a Made in Japan one from the 2010's
This is the album version of I've Got A Feeling, take 1 from the Rooftop Concert. It was released on Let It Be (1970). To see footage of the live performance, watch Peter Jackson's 2021 Get Back doc, or the original 1970 Let it Be movie. OR...check out my Beatles instagram fan page '3 Savile Row' to see lots more Get Back footage
John Lennon used his 1965 Epiphone Casino and George Harrison used his Fender Rosewood Telecaster for the rooftop performance. They both were plugged into 1968 Fender Silverface Twin Reverbs, very loud and clean 100 watt amps
So how did they get these crunchy tones out of such sterile and hard-to-distort amps? It's been a debate among Beatles gear nerds for decades, and there still is no definitive answer. It could've been that these amps were protoypes sent by Fender with different circuitry, and they had to turn them up because they were playing outdoors. Or maybe the signal wasn't distorted, but made to sound this way afterwards, during mixing?
I was able to achieve similar tones by using my 1974 Fender Silverface Pro Reverb amp and some overdrive/boost pedals. The Pro Reverb is very similar to the Twin Reverb, with two 12" high powered speakers. But the Pro Reverb is 40 watts and less clean
For John's Casino, I'm using my 2021 Epiphone USA Casino into the Pro Reverb. I'm using an Analogman Bad Bob Boost pedal into a Klon KTR overdrive. The Bad Bob is a clean boost that is pushing the next pedal, the Klon KTR. The KTR is the same pedal as a Klon Centaur, which can be used as a boost or a medium-gain overdrive. I have it set with the drive knob at 11 o'clock, and the volume at 10 o'clock, which is pushing the amp a bit. The Pro Reverb settings are- Vol 2.8, Treb 6.2,
Bass 1.9
John starts the song off in the bridge pickup, with the tone knob rolled way down. At certain points, he is seen switching to the neck pickup. Because the neck pickup tone knob wasn't rolled down, it is distorting, with more treble than the bridge pickup.
Here are my knob settings for the Casino-
Bridge Pickup: Vol 10, Tone 1.5
Neck Pickup: Vol 10, Tone 6.2
For George, I'm using the Fender MIJ Rosewood Tele into the Pro Reverb. I'm using an Analogman King of Tone pedal on the boost side, which is pushing the Analogman Bad Bob Boost. The King of Tone boost is set with lots of treble. The Pro Reverb settings are- Vol 3.5, Treb 7.2, Bass 2.8
Although George's tone is very bright, he's on the middle position of the Telecaster throughout the whole song, as seen in the movie
Interesting Notes:
0:01 John's picking pattern is down-UP-UP-down-up-down-up-down- UP-UP. I found it interesting, when I saw the film footage, that the second note is an upstroke, not down
0:26 here, John plays a D note on the b-string for the second to last note in the riff
0:34 the last note George plays on the ascending lick, he slides up to 5th fret of A
1:09 John switches to the neck pickup. George turns up vol knob
1:26 John switches back to bridge pickup, turns down vol knobs
2:22 George hides his pick, and uses his fingers to pluck
2:32 John switches to neck pickup
2:39 John plays the A7 on 5th frets longer, then 4th fret. Instead of just going 5, 4 ,3
2:41 John's breakdown riff is sloppy, he stretches his fingers too far and plays an Eb note instead of a D on the 4th fret of b-string
2:46 John switches to bridge pickup and George plays without pick
2:58 George uses pick again
3:08 John switches to neck pickup
3:10 John stays on 3rd fret of ascending A7 riff, instead of going to 4th fret
3:27 George fiddles with his vol knob
MY GEAR:
2010's Fender mij Rosewood Telecaster
2021 Epiphone Casino USA Royal Tan
Analogman Bad Bob Boost
Analogman King of Tone
Klon KTR Overdrive
Neumann TLM-103
#thebeatles #guitarcover #epiphone
Thanks for watching! Please be sure to subscribe and watch my other Beatles covers
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Nuevo año, nuevos desafíos. El aguante de siempre.
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