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🌶️ CUBAN SALSA: COCA-COLA LIGHT - 270 DEGREES
The most common Coca-Cola turn is done as last part of Dile Que No around the Leader on "5-6-7". "Coca-Cola" is a nickname for a traveling left turn most often stepped as a Three Step Turn of two times 180 degrees. Coca-Cola "Around the Lead" is so common that if a video is named "Coca-Cola", we can be pretty sure that "Coca-Cola" is a short name for "Dile Que No con Coca-Cola".
This standard way to do Coca-Cola has a major build-in challenge. Since it takes place in left turning circular motion, counter clock-wise, around the Leader, that is on a left curved line, it is not enough for the Follower to step a 360 degrees turn. The turn must be more like 400 degrees or more for the Follower to get around the Leader.
This is one of the reasons why many Leaders turn the Follower on a straight line: A 360 degrees turn is easier. The Leader still starts the Coca-Cola from Dile Que No, and in order to get the Follow around the Leader, the Leader continues into Rodeo Inverso after Coca-Cola. The straight line Coca-Cola can also be lead back again in-front of the Leader, - I use that version a lot.
1️⃣ Coca-Cola Light
Coca-Cola Light of around 270 degrees is the easiest of all Coca-Cola turns and for that reason it can be used in many situations with a success rate close to 100 pct. With a few rare exceptions, Coca-Cola Light always takes place in right turning circular motion, that is on a clock-wise curved line. That is, the turn is away from the curve. For that reason, the turn only has to be around 270 degrees. Coca-Cola Light is often continued into Rodeo.
Coca-Cola Light examples:
1. As last part of Enchufla
2. As last part of DQN Mentira
3. As last part of Paséala
4. Starting on "2" from Open Position
2️⃣ Vacilala Light
When Vacilala is done on a left turned curved line or into left turning circular motion, one can also do a 270 degrees Vacilala. E.g. as the start of Dile Que No. But Vacilala Light is not as common as Coca-Cola Light.
3️⃣ Forward or Back-Rocking
Please note that I promote Casino based on natural walking where the Follower steps forward by default on all the six steps of a Count of Eight. That is, the Leader knows that the Follower is always ready to turn on each and every step, left or right, he doesn't have to lead the Follower forward first.
This is one of the advantages of forward walking dance mode: it facilitates turning anywhere in the dance.
In Back-Rocking Cuban Salsa, on the other hand, the Follow is allowed to step back on "1" or "5" in almost any move except when the Leader leads the Follow forward. Back-steps in figures like Enchufla, Dile Que No and Exhibela are quite common. Even when the Leader leads the Follow forward in "Vacilala" based figures, or in the moves just mentioned, it is also quite common, that the Follower sneaks in a back-step, only her hand moves forward, the body follows a split second late after a short back-step.
That is the reason why turns in Back-Rocking Cuban Salsa mostly take the form of common Rueda Figures, where the Follower knows she should step forward to be able to turn, or when the Leader prepares and leads spontaneous turns carefully making sure that the Follower steps forward making the turn possible.
🙏 More tutorials at my dance blog https://www.SalsaSelfie.com
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Bienvenido! Muchas gracias por entrar a ver el vídeo.
Dale like si lograste ver el tenebroso ombligo de Iván que nos acoso en todo el programa.
Primero que nada, este es el primer "podcast" piloto que grabamos, somos totalmente nuevos en este formato y por ende estamos aprendiendo sobre el ruedo, metimos un poco de temas algo tenebrosos, con opiniones desde nuestra perspectiva, agradecemos cualquier comentario que logré nutrir el contenido de los temas y si quisieras que habláramos de algún tema en específico por favor dejarlo abajo en la caja de comentarios.
Lamento el desfase de audio, es un poco complicado por el tema de la edición.
Ojalá logré gustarte.
Saludos!
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Tema: Apuestas, casinos y ludopatía
En la última década las apuestas se han vuelto más frecuente y accesibles a la sociedad, ya no es necesario acudir a un espacio físico para realizarlo, muchas veces desde la comunidad de un dispositivo móvil se puede realizar, sin embargo últimamente los medios de comunicación, empresas e incluso deportes han maximizado esta práctica
¿Puede generar un proceso excesivo de consumo?
Aquí lo analizaremos.
Sábado 13 de enero 05:00 pm
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Scorsese talks about how he got Joe Pesci to be in Goodfellas as Tommy "DeVito" DeSimone. Let me know what you all think in the comments down below! Like & Sub for more!
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Goodfellas (stylized as GoodFellas) is a 1990 American biographical gangster film[5] directed by Martin Scorsese, written by Nicholas Pileggi and Scorsese, and produced by Irwin Winkler. It is a film adaptation of Pileggi's 1985 nonfiction book Wiseguy. Starring Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco, and Paul Sorvino, the film narrates the rise and fall of mob associate Henry Hill and his friends and family from 1955 to 1980.
Scorsese initially titled the film Wise Guy and postponed making it; he and Pileggi later changed the title to Goodfellas. To prepare for their roles in the film, De Niro, Pesci and Liotta often spoke with Pileggi, who shared research material left over from writing the book. According to Pesci, improvisation and ad-libbing came out of rehearsals wherein Scorsese gave the actors freedom to do whatever they wanted. The director made transcripts of these sessions, took the lines he liked most and put them into a revised script, which the cast worked from during principal photography.
Goodfellas premiered at the 47th Venice International Film Festival on September 9, 1990, where Scorsese was awarded with the Silver Lion award for Best Director, and was released in the United States on September 19, 1990, by Warner Bros. Pictures. The film grossed $47 million against a budget of $25 million. Goodfellas received widespread acclaim upon release; the critical consensus on review aggregator Rotten Tomatoes calls it "arguably the high point of Martin Scorsese's career". The film was nominated for six Academy Awards, including Best Picture and Best Director, with Pesci winning Best Supporting Actor. The film also won five awards from the British Academy of Film and Television Arts, including Best Film and Best Director, and was named the year's best film by various critics' groups.
Goodfellas is widely regarded as one of the greatest films ever made, particularly in the gangster genre. In 2000, it was deemed "culturally, historically, or aesthetically significant" and selected for preservation in the National Film Registry by the United States Library of Congress.[6][7] Its content and style have been emulated in numerous other pieces of media.[8]
In 1955, Henry Hill becomes enamored by the criminal life and Mafia presence in his working-class Italian-American neighborhood in Brooklyn. He begins working for local caporegime Paulie Cicero and his associates Jimmy "the Gent" Conway, an Irish-American truck hijacker and gangster, and Tommy DeVito, a fellow juvenile delinquent. Henry begins as a fence for Jimmy, gradually working his way up to more serious crimes.
Through the 1960s, the three men get into carjacking, stealing cargo trucks out of John F. Kennedy International Airport, and eventually commit the Air France Robbery. They spend most of their nights at the Copacabana nightclub carousing with women. Henry starts dating Karen Friedman, a Jewish woman who is initially troubled by Henry's criminal activities. She is then seduced by Henry's glamorous lifestyle, and marries him despite her parents' disapproval.
In 1970, Billy Batts, a made man in the Gambino crime family recently released from prison, insults Tommy at a nightclub owned by Henry. In response, Tommy and Jimmy beat, stab, and fatally shoot Billy. Realizing that the unsanctioned murder of a made man would invite retribution, Jimmy, Henry, and Tommy bury the body in Upstate New York. Six months later, Jimmy learns that the burial site is slated for development, prompting them to exhume and relocate the decomposing corpse.